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A hop, skip, and a jump later we found ourselves at Holly Hunt to meet Chris Eitel, current director of design at the Vladimir Kagan Design Group, which has reintroduced four archival pieces by the late legend. (Our favorite is the 1976 Cycle III desk chair, with that glam Lucite back and channel-tufted upholstery.) —S.C. B&B Italia launched a special commission with multimedia artist Shantell Martin during the fair. The building is one of many designed by Peter Marino for Chanel. Rich materials and black-and-white detailing characterize many of the Chanel locations, including the new outpost in Miami. It’s an extraordinary tall volume with the staircase that makes it stand out,” he said.
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The entry is punctuated by a beveled black steel frame that draws clients inside. Within, a low-lying gallery of grey wave stone floors and white hand plastered walls is lined with the newest iterations of the House’s famed handbags, including the 11.12, interpreted in different ways each season, such as metalized gold or silver. From there, a few stone steps lead into a 30-foot tall central atrium topped by a 120 square foot skylight. This vivid white double-height space bathes the store in light and energy and creates a central court inspired by gatherings at Miami’s annual Art Basel. The building, designed by architect Peter Marino, is a lustrous white and remarkably minimalist, a spare crystallized-glass carapace for what’s to be discovered inside. Those contents include a first floor devoted to Chanel’s fine jewelry and watches — including pieces from its 90th anniversary high-jewelry 1932 collection — as well as handbags and other accessories, fragrances and makeup.
How did you want clients to feel when they enter the new space?
A walking tour through Miami's Design District - Art Basel
A walking tour through Miami's Design District.
Posted: Thu, 01 Dec 2022 15:14:37 GMT [source]
We have a commission from artist Chris Succo for the elevator, a linear painting eight feet long by Peter Dayton over jewelry, drawings by Jan-Ole Schiemann in the try-on rooms. Hanging in the atrium are three works by Gregor Hildebrandt—ink-jet prints and plastic cassette tape boxes in wooden cases—and a photograph by Vera Lutter of LACMA, a nod to what's coming next (a new Chanel on Rodeo Drive is slated for completion in 2022). New York architect Peter Marino, who has designed stores for Chanel around the world, is also designing the Miami location. The multi-level store is expected to open in time for Art Basel in early December, sources said. At the entrance, the clients are drawn inside by a beveled black steel frame. Lots of lights and a spectacular contrast of white and black colors.
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With all those nuns wearing black and white, this store is 100 percent black and white,” he said, referring to how the designer grew up in an abbey. Higher up, on floor three, are two VIP suites and dressing rooms, while the top floor is devoted to a 2,690-square-foot terrace and a private penthouse suite, also reserved for private client meetings. The store’s atrium also gives way toward the back of the building to a glass-walled, three-story garden courtyard.
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The luxury French fashion company will open a store across from Gucci at the entrance to Paradise Plaza on 41st Street in Miami, sources said. Gucci is on the west side, and Chanel will open on the east side. Chanel’s interactive showstopper with Es Devlin—the reigning queen of spectacle—has been the talk of Miami this week.
Chanel spending $40M on buildout of Miami Design District flagship
Dickinson Cameron is the General Contractor who has completed the LEED Certified Chanel Miami Design Districts’ location. DCC’s scope included extensive core & shell work to build the exterior walls and create the large atrium opening. The fit-out for two floors included an elevator, dumbwaiter, and central staircase.
Ahead, Marino speaks with BAZAAR.com about his latest project in South Florida, as well as his long-standing relationship with Chanel, integrating art into his spaces, and how he wants customers to feel. On another note, the iconic J12 Caliber 12.1 Watch, the Coco Crush and Camelia Collections are presented on sleek shelves within embedded niches among the 11.12 famed handbag. Above, an 8 feet length artwork of New York artist Peter Dayton called “Black Stella” made of acrylic and resin recalls Chanel’s lines of quilted leather. On the second floor, the shoes and ready-to-wear are presented in dedicated salons. White and glossy black ankle boots, metallic strass pumps join the Black Belt Collection Parallelo light fixture by Peter Marino for Venini and a Fran Taubman Aluminum plate coffee table. The new Miami Design District Chanel Boutique is definitely a much needed art shopping destination.
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Throughout, Peter Marino incorporates finishes and details that harken to the intrinsic elegance that defines the CHANEL aesthetic. Watches and Fine Jewelry creations captivate visitors on sleek shelves and within embedded niches. Inside the boutique’s elevator is a second unique commission, by artist Chris Succo, who sprayed painted black lacquer and oil on white linen in abstract squiggles reminiscent of a dash of Mademoiselle Chanel’s own hand. Discussing growth opportunities, Galantic said in stores where they sell makeup and skin care, their market share is growing strongly.
How important is art to the new Chanel building in Miami?
We’re creation-led and we’re hyperfocused on the quality of the client experience. To be growing faster than the other absolutely luxury brands while we’re the only ones not to offer open access e-commerce, means at the same time, we’re increasing our exclusivity advantage and raising the image of the brand,” he said. The luxury French fashion company is spending more than $4,000 per square foot on the buildout of its flagship store in the Miami Design District, sources told The Real Deal. Based on its roughly 10,000-square-foot space, that means Chanel is investing at least $40 million into the construction. Hublot, Louis Vuitton, and Dior all feature among Peter Marino’s illustrious clients, but it’s his long-time partnership with Chanel that shapes much of his extensive fashion-oriented portfolio. (The architect has more than 200 Chanel projects under his belt.) The Architecture of Chanel, Marino’s oversized, richly illustrated new book with Phaidon, highlights 16 of the buildings born out of this alliance, from New York to Tokyo.
They’re contributing more growth than any other brand in their competitive set. Chanel is expanding the fragrance and beauty stand-alone boutiques, which he called “a big driver of the business.” They intend to have 12 by yearend (there are 11 now), with the plan is to be at 50 by 2025. To make a statement in a market that is an American art capital. Peter does all kind of boutiques, sometimes it’s a facade only, sometimes if the facade exists, he does the interior. The whole architecture, it’s a bigger statement of the allure and modernity of the house, one of the biggest we’ve made in the U.S.,” said Galantic.
It is “all about design and image” and the race to become the next “masterpiece” in the design-driven neighborhood, he said. Designed by visionary New York architect Peter Marino who has worked with Chanel for 25 years, the new building in Miami embodies Chanel aesthetics, architecture and interior design and blends the strong values of the French house harmoniously. “Installations with ropes and ropes of pearls give the space a residential-mixed-with-haute-museum atmosphere,” Marino says. They also have discovered through this shared database that they have elite customers they didn’t know about because their purchases were siloed in different data buckets.
“We’re building the brand long-term on direct-to-client model in all three divisions (fashion, fragrance and beauty, watch and fine jewelry). It allows us to offer omnichannel services that really increase the quality of the client experience,” he said. On the second floor are shoes and ready-to-wear showcased in dedicated salons. Optic white and glossy black ankle boots and metallic strap pumps are part of the shoe selection between Black Belt Collection Parallelo light fixtures by Peter Marino for Venini and a Fran Taubman Aluminum Plate coffee table. Racks housing pink bouclé suiting edged in wide black brand trim and crochet minidresses surround a Suduca & Merillou wood and rattan coffee table and two metallic Bent Half Tube Chairs by Voukenas Petrides in the rtw salon. Watches and fine jewelry are housed on sleek shelves and within embedded niches.
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